Understanding the greatness of Ellora – Part three

Well we saw that the elephants and other animals with burdened with a load in the last post. What are they carrying?
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We look at the string of pictures once more to get into the flow.
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Now we take a zoom upwards, no do you get the picture. The entire rock cut temple is fashioned as though its supported on this line of elephants. Just to put things in right perspective, reminding you once again that this cut into a mountain rock face. Meaning, the sculptor has to sculpt this in situ – top down in one single piece.
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Now that you understand the intricate work, lets look at the larger picture of the Ellora Kailasantha temple. From different angles with people occupying the frames to give you an idea of scale of this spectacular composition. The pictures show you the sheer rock face from which the skilled artist has fashioned this entire creation. Doesn’t it blow your minds off, just to imagine a scale of this size is mind bloggling. How on earth could someone have the courage to envision something of this nature, with technology that was prevalent a 1000 years ago.
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Step to the right, to the left, to the back – every inch is breath taking. Stone art its very best. For once i am short of words and take refuge in the visual overflow. Enjoy and drink up this fountain of art.
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The last picture has an interesting story board – of an epic carved into stone, which we will visit later.

Understanding the greatness of Ellora – Part 2

I have been summoning the courage to attempt this post for a long time. We had earlier seen what is so great about Ellora. This is part two of the post and certainly one in a long line of posts to come.

This is a large post and hence i would request you keep all your work aside, take your time – make sure you are on a stable chair ( lest you might fall off your chair) – such are the contents that are to follow.

I first introduced you to the fact that this is a mountain cut structure – ie the sculptors have cut this entire composition into the face of a mountain – so now i am going to detail the size of this composition, its complexity and innate beauty.

Inorder to do this, i adopt a bottoms up approach.
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Do you see this elephant, peacefully threshing some vegetation in its trunk – watch the detailing of the small bump of its skeleton as its trunk starts, the slight twist of it trunk to the right and the curl of it holding the grass – the beautiful symmetry of its ears and the delicate curl of the ear.
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We move a bit back – oh, maybe there are more like this one, NO, its a whole line of such elephants ( some have not withstood the forces of nature n time – lost a limb, a trunk)
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Now we zoom out – to see what this actually is – is an entire foundation of elephants who are sculpted as though they are carrying the whole structure. And what a structure, the man walking int he frame gives you an idea of scale.
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We try another place – oh,here elephants are combining delightfully with lions to form a nice one two combo. Oh, some delightlful Yazhi’s are also there. Some of lions and elephants seem to be bored of this work and are playfully fighting with each other.1243

What are they carrying on their mightly shoulders…well wait for the next post…

Whats so great about Ellora Kailasanatha temple?

A friend casually asked me…whats so great about Ellora Kailasanatha temple…India is strewn with such temples everywhere….? My friend this is unique ..infact its so unique that it cannot be envisaged as a human creation…that too going back 1400-1500 years ago. Envisaging such projects in todays ` advanced’ technology itself is mindboggling…but for that period its magical.

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Look at the pictures…this is just a bird’s eye view. Incourse of our travels we will revisit this splendid creation many time.

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There is a similar work deep into the tamil country…vettuvankoil..

Have you been to Ajanta?

Having given you a birds eye view of Ellora, cant have ajanta pending. A study of ajanta would take a lifetime….immortalised by Author kalki in his famous work Sivagamiyin Sabhatham…the oldest paintings and stone craft of India is a visual spectacle unsurpassed. A vision so grand that everything else will pale in this splendor.

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Before we step in and drink in the splendid sights, lets get a bird’s eye view. What tranquil surroudings chosen by the Buddhist monks to parade their skills. The pristine natural surroundings set off well against the carvings of man…loo behold…here comes ajanta..

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A lasting effort in stone, yet forgotten in our hearts

Kalugu malai or vettuvan koil…where is this place. For those of you who have visited Ellora Kailasantha temple these pictures may seem vaguely familiar…this is a unique effort of early pandya rock cut temple…its in tuticorin district, in a small place near Kovilpatti….to the uninitiated …you may ask what’s so special..simple, it’s a monolith … carved out of the face of mountain side….Now see the pictures and the detailing once more.
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Such a stupendous effort – carved top down, to the last detail….a superlative effort, but sadly few locals know of this monument. Such a great craft has been forgotten, so too are their amazing creations. Sadly no amount of crying is going to bring back this artform to life, at least lets learn to properly appreciate them. This is the only service we can do to the unknown sculptor…..

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Whats the elephant doing amidst all the art work in Mahabalipuram

Many a tourist has taken a picture having it as their backdrop. The immaculate proportions of this sculpture defy imagination. On a moonlit night one would easily mistake its silhouette for a real elephant. But what is it doing inside the `so called’ five rathas complex.

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To understand this you got to understand the evolution of the humble temple towers of south India…however to make it short, we are taking you on a pictorial tour….just keep in mind that the sculptor did not just try to exhibit his art here but also wanted to educate the viewer…only 1400 years ago ! such was the knowledge pool then, that these places of worship were not confined merely to awaken religious thoughts but also served as veritable treasure houses of art, literature, theater, community etc.

Ok, back to the question .. Whats the elephant doing amidst all the art work in Mahabalipuram.

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Seeing it as you walk towards the ratha complex you cant still make out the significance.

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A few careful pointers …and you are focusing on the elephant and then the building next to it.

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seeing them in isolation…no get them both into the same frame…not like that …not from the front…

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move towards the side , the rear….now does it dawn on you. ….

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yes, the style of the mandabam is called gajapristam …( Gaja – elephant, pristam – back…in sanskirt)…the greatness of this composition is the positioning of the two. Keep in mind both are carved out of live rock…and done specifically in that fashion …so that generations to come understand.

What a Mace ! What a Mace ( Mangadapattu) !

What started off a small discussion became the seed for this post.. interestingly which should have been the first post…for what you see below is acclaimed by its creator to be the first ever such work in stone…. 706 Well most Indian mythological heroes are assigned some divine weapon….the bow, sword etc have their parallels across the globe, but one thing unique has been the mace…when i mean unique, not that other cultures did not have the mace, but then the depictions in ours were huge. They would give today’s Olympic weight lifting champions a complex….for their sheer size is mind boggling. Is this the imagination of later day artists…we explored and for the parallels in sculpture we go to where it all started…the mother of all caves….the foremost amoung sculptures of south India. Mahendra pallava …the self titled vichitra citha ( the many talented or weird talented)…he claims that he built a temple for the trinity without using brick, wood, metal or mortar…. 703 Just look at the door guardians….they seem to have that classic vivian richards swagger about them, almost mocking at us puny mortals…. 712 lugging aroung those monstrous maces….( watch closely you can see a cobra circling the mace) 709 One bash with that is sure to knock the living daylights out of you and send you cranium into a mars orbit… for the serious enthusiast, this beauty is the Mangadapattu cave – on the vilupuram sengi main road…about 20kms from vilupuram….take a side road ( mud road) from there…you can see boards ( thank god) and its a km down the road ( if you can call it that….)